Alia Bhatt: ‘Alia gave me her home’: ‘Dhurandhar’ designer Rupin Suchak reveals how Alia Bhatt changed her interior design career after discovering her design skills at R Balki’s office | Hindi Movie News


'Alia gave me her house': 'Dhurandhar' producer Rupin Suchak reveals how Alia Bhatt changed her interior design career after discovering her design skills at R Balki's office
Designer Rupin Suchak, known for films like “Go Goa Gone” and “Dhurandhar,” reveals how designing Alia Bhatt’s home changed his career, opening doors to interior design. He focuses on the differences between cinema and architecture, and emphasizes that his main goal – to create an unforgettable place in the mind – has not changed in different ways.

Rupin Suchak is a successful producer known for his works in films like ‘Go Goa Gone’ (2013), ‘Happy Ending’ (2014), ‘Dear Zindagi’ (2016), ‘Pad Man’ (2018), and ‘Khel Khel Mein’ (2024). He also lent his expertise as an extras producer to the hit series ‘Dhurandhar’ (2025) and ‘Dhurandhar The Revenge’ (2025). Along with his film work, Rupin has also established himself as a talented interior artist.

Rupin Suchak on Alia Bhatthis role in his work

In an interview with Mumbai Mirror, he explained how Alia Bhatt was instrumental in guiding him towards interior design, which eventually became a major part of his career. Rupin Suchak shared, “After almost five years of production, a change came unexpectedly when I was given the job of organizing the office of filmmakers (R) Balki and Gauri Shinde. What started as a single project changed the course of my career. For the project, Alia Bhatt visited the office and gave a strong response to the design. Soon after, he gave me a job to fix his house. This work opened a new chapter. One project led to another and soon interior design became a major part of my practice”.

Rupin Suchak on the difference between films and houses

In the same interview, Rupin admitted that designing a movie theater is a very different challenge than designing a real person’s home. He said, “I often joke that I’ve done a lot of work building worlds that people live in for years or experience for two seconds on screen. Ironically, the biggest challenge in moving from movies to home wasn’t creativity but patience. Filmmaking goes through endless timelines. Content requires long-term discussion, planning, cooperation and interest in the human condition. “He concluded, “Whether I’m working on film, commercial or residential, the goal remains very much the same. I want people to feel something. The medium changes. The story changes. But my desire to create unforgettable worlds doesn’t.”



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